GODARD MONTAGE
Wednesday, December 21, 2011
Making cinema politically not political cinema, Godard
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Politics involves both past and present. When you read Churchill's memoirs, you understand very clearly what is happening today. You th...
Silence, the space between Éloge de l'amour - Jean-Luc Godard
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When composer John Cage came up with his piece 4'33'', perceive as four minutes thirty-three seconds of silence, he was actuall...
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Speak On What It Is You Cannot Put Into Words: Erik Luers Final Paper Topic
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For my final paper, I decided to focus on Godard's poignant voiceover narration in 2 or 3 Things I Know About Her and what it says abo...
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Jean-Luc Godard’s cinematic construction of History and Memory
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There is a common denominator in Godard’s films, the construction of history and memory. Themes of memory and time, how to record history, ...
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Reclaiming Agency: The Emancipated Spectator in 2 ou 3 choses que je sais d’elle
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My project examines Ranciere’s notion of the "emancipated spectator" in Jean-Luc Godard’s 2 ou 3 choses que je sais d’elle . ...
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This is a short excerpt from my paper. In the Emancipated Spectator, Jacques Ranciere adapts the premise of Joseph Jacotots Ignoran...
Prostitution and Modernity
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Anyone who has seen a few Godard films can notice the recurrence of the prostitute. Especially when it comes to Vivre Sa Vie amd the image ...
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